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 Joan Miró Peinture, 1933 (12 April) » Copyrights |
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Found Forms Under the heading Found Forms, biomorphic shapes, exploitation of the workings of chance, and the practice of free association, borrowed from the Surrealists, form points of contact between Miró's Peintures d'apres collages (Paintings After Collages) of 1933 and Calder sculptures that increasingly left strict geometry behind, such as Tightrope or Cône d'ébène. |
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