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| Thanks to the stabilization of his condition,
the year 1937 brings a marked recovery in Klee’s activity. His late
style, with its dark lines and heavy bars hovering before colored fields,
comes to full fruition. In 1938, large-format paintings emerge – including
the largest he has ever done – which are now generally considered
the most mature in the late work. With consummate mastery Klee now begins
to address the great themes of myth, an internal mental journey, but also
of the artist as a mediator between aesthetic form and the elementary
forces of existence. |
